The Dry’s small-town setting is a throwback to the classic whodunnit novel, offering a vivid and memorable ensemble of characters that even Agatha Christie would be proud of, and Harper captures the claustrophobic cabin-fever of rural life to remarkable effect.
Magpie Murders is almost a witty love letter to fans of the classic whodunnit, and will certainly leave fellow bibliophiles falling in love.
After several years of poorly-received films and having relegated himself to the ‘has-been’ category of directors, has Shyamalan finally managed to redeem himself with his latest blockbuster?
Tracing the marriage of Yejide and Akin, Adebayo tenderly and intelligently depicts tremulous years of childlessness, and all the resentment, hope and heartache that is borne from a couple desperate to conceive.
It Comes At Night is a brilliantly intelligent, atmospheric delight, however hard-core horror fans seeking gore, action and fast-zombies will be sorely disappointed with this slow-burning, psychological horror flick.
If We Were Villains is a character study turned twisted thriller; a classic whodunnit plot transposed into the strange, elusive and elitist world of art school.
Netflix’s latest addition to it’s growing arsenal of original content, Okja is exemplary evidence of how the online streaming company is quietly rocking the film industry
Schmidt ingeniously unravels the strange and unpredictable lives of the Borden’s, and those haplessly pulled into their orbit.
Babak Anvari’s directing debut, Under the Shadow is a chilling, atmospheric slow-burner that harks back to the classic concept of the haunted house whilst managing to breathe new life into the supernatural genre.